De Profundis. (). for accordion. Duration: 9′. Territory. This work is available from Boosey & Hawkes for the UK, countries of the Commonwealth (excluding. Sofia Gubaidulina. Publisher: G. Schirmer. De Profundis (for solo Bayan) (). Work Notes. available in the USA, Canada and Mexico only. Publisher. Timbre, texture and spiritual symbolism in Gubaidulina’s two works, De profundis and Et expecto. Aural sonology as a tool to explore sonic and structural aspects.

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It was a beautiful, heart-warming sight. Reviewed at Royal Academy of Music: Share on facebook twitter tumblr. If the reader is interested in seeing the aural analyses, they can use the following link: GubaidulinaDe Profundis. Please enable JavaScript in your browser to use the site fully. Introspection Late Night Partying. Salomon Symphony Quintetto after Symphony No.

De profundis, for bayan

JavaScript is disabled for your browser. Timbre, texture and spiritual symbolism in Gubaidulina’s two works, De profundis and Et expecto. The juxtaposition of these two pared-down symphonies was a brilliant idea superbly executed. Various textures are used, from a chorale idea that represents hope, to a long single-line pofundis suggesting prayer. His specialism is religious music but his musical passions range from Alkaline Trio to Zadok the Priest.


It is also represented symbolically: Again, this piece demands highly virtuosic performers. Click here for conditions of use. Some features of this site may not work without it. Genre Chamber Music Classical Keyboard. Rainy Day Relaxation Road Trip. This interest ugbaidulina have grown from her involvement in the s with a group of composers interested in assembling ancient gubaidylina traditional instruments and writing highly modern classical music for them.

The goal of this thesis is to ascertain which timbral musical objects are heard, illuminate the structural forms of the music and make an interpretation of the symbolic meaning in the chosen works. A musical bucket list: Through aural sonology, this research focuses on the exploration of emerging gestalts through performance and interpretation.

Gubaidulina was born in the Tartar Republic, USSR, in and has become one of the most important composers of the last two decades of the Soviet Union and the first decade of the Russian Republic. The Killing of a Sacred Deer.

De profundis, for bayan | Details | AllMusic

It was a great little piece: Mahler in Miniature Sebastian Scotney, 30th June. GubaidulinaIn Croce, for cello and organ. Unlike a traditional analysis of the music manifested in the score, this approach concerns sonic and structural elements that are heard through the recorded performance.

Unusual techniques are also used, from glissandi, shuddering vibratos and the sighing sound of the instrument’s bellows. This evening was a true joy: The accordion enters and brings the music down to the depths of its register in the one hand and the heights in the other. The rows of seats behind me appeared suddenly filled, by youngsters with the startled eyes of newfound freedom from the practice room.


Christopher Hogwood Mahler arr. The Tree of Life. Metadata Show full item record. Restraining their instruments to minimal sound production whilst maintaining an even tone was a challenge well met by the students, whose communication and comprehension was captivating.

Ten of the most important cities in classical music history. Sexy Trippy All Moods. Royal Academy of Music Chamber Ensemble.

These were students, that mythical breed of music-lovers, here to gambol in the delights of startling music performed by their esteemed confreres.

To add a comment, please Login gjbaidulina register. The work was written in consultation with the player Friederich Lips, who premiered it in Moscow in Drinking Hanging Out In Love.